…for feeding your battle rifle.
from Prvi Partizan
While 30-30 was not the first smokeless cartridge in wide use, it was the first one for the US. It’s an indication of the correct approach to small arms that American civilians it before the Army, while in Europe it was the other way around. The USMC and the Navy did adopt the long-forgotten 6mm Lee smokeless round about the same time.
It seems like every other military rifle design borrows heavily from the AR18 and AR180 design, yet very few of them were built and fewer yet adopted by institutional users.
The extra 1.5″ of barrel length and +1 round of capacity relative to other compact 45s are nice, but it’s the very low felt recoil that I like best about Boberg XR45-S. Plus, it is accurate and works with a wide variety of bullet profiles.
Today, more people take photos with cell phone cameras than with any other kind. Convenience, ubiquity and the ability to post results at once all combine to make the tiny cameras with miniscule sensors more popular than all other types combined. Larger, more professional equipment is far more bulky and more expensive. It also produces immeasurably better results. And yet, for most purposes, cell phone cameras are good enough.
Now imagine that all other cameras are restricted by law to use only in professional studios, certain wilderness areas or private homes. When carried elsewhere, they must be in hard cases with batteries and memory cards removed. Ridiculous? That’s generally the legal status of long guns in the US — far superior to handguns in performance but bulky and very much restricted from daily use.
Under the current circumstances, professional photographers waste little time discussing performance of cell phone cameras. They discuss real professional equipment, lighting, logistics and the generation of visual ideas. The difference between cameras in competing cell phone models are so irrelevant to them as to escape notice. Should better equipment suddenly be restricted or entirely unavailable, the minor differences in the performance of inferior but legal equipment would suddenly come to the fore.
That is why so many people obsess over the kinetic energy, magazine capacity and other features of handguns. Handguns are the wrong weapon for almost every defensive fight — machine guns, grenade launchers and other serious arms are much preferred by military and police who are not under the same legal and logistical restrictions. But absent the right weapons — mainly for legal and logistical reasons — we try to make the best of the poor options. Absent sufficient training as well, we try to substitute improved equipment for insufficient aptitude. It’s a reasonable, if regrettable, approach. A person whose life consists of a job, a family and other interests besides photography or self-defense will still get slightly better results with better gear.
A very close friend is moving to Madisonville for a new job. She is looking for an apartment or a house for rent and finding little that’s at all nice. Does anyone have suggestions, connections or even rental options that could be forwarded?
Don’t get too excited…it’s an Uzi A semi-auto carbine with a short display-only barrel. The real thing has 16 inches of rifled pipe but only about ten inch sight radius, roughly stamped and welded receiver and a heck of a recoil spring to make up for it being plain blowback. A real uzi is select fire and uses advanced ignition blowback to reduce felt recoil. On the plus side, an Uzi is generally a robust and reliable arm holding 25 or 32 rounds, enough for a small terrorist infestation.
Back in 1994-95, David Dyer-Bennet was the main factor behind my increased interest in RKBA. His reasoned explanation of how he saw reality were compelling. He also had the books of RA Heinlein on his side. By 1996, I looked like this — posing with one of his carbines. Some of my first RKBA posters featured him in turn, and he hosted my best sites for several years. Fast-forwarding to present day, David is still an influence in photography and guns.
Sadly, the natives of Israel can’t have it. While rifle-toting soldiers and reservists are a common sight in Israel, actually buying a modern for personal ownership is nearly impossible for their citizens. And the down side to the issued weapons is that they may be recalled at the whim of the issuing authority.
Pietta 1858 target revolver imported by Traditions Firearms. If I am going to shoot a slow-loading weapon, I might as well hit my targets!
Recoilless to the rescue! RPG7 here, though the good old American 106mm would do better for actually hitting things at range. Just mind the backblast, it’s apt to singe the curtains.
Auto focus is much, much faster with a native lens compared to Canon lenses on Metabones adapter. Numeric distance readout in the viewfinder is a great help when focusing manually. I am not sure how accurate the focusing is yet, have to look at the images on a big screen. The lens should have been made with a physical AF/MF switch.
Focus peaking is a major win when working with tilt lenses. Canon 90TS becomes a very viable tool even in low light. With all lenses, manual focusing with zoomed in view is excellent. The implementation is much better than with Canon.
User interface is far better than the older Alpha and NEX series, and configurable buttons are useful. Input dials could use more texture, they are hard to tell from the rest of the camera body by feel.
I obtained Sony A7R to supplement my Canon 5D2 bodies in studio. The Canons are far more useful for fast action, Sony AF being useless. It’s as slow or worse than the first serious AF body, Maxxum 7000 from 1985! Manual focus is also quirky, with focus peaking being inaccurate in unmagnified view but very precise once zoomed in. The main reason for adding this body is for the 36MP sensor. The extra resolution will be a big help when preparing huge SHOT show display prints.
Two quick examples below done with Canon lens on a Metabones IV adapter. These are JPEGs straight from the camera, reduced to 1200px (click on the preview to see larger). The insets are 1:1 once magnified. This is the first camera I’ve owned that produces useable JPEGs in addition to RAW files.
With Canon 5D2, I can open RAW straight out of Adobe Bridge (CS 5.5). Can’t do that with A7R. My options seems to be the following:
I welcome suggestions.